One of my recent areas of fascination, in addition to everything else, and inspired almost wholly by AMC’s (fantasmagorical) TURN: Washington’s Spies, has been the story of the Culper Spy Ring (link 2) (link 3). I wrote a thing a while ago about the cinematography of the show, which for me is a huge part of the attraction, but the storylines are pretty compelling as well.
Thus, imagine my excitement when, at the library, I came across this book titled George Washington’s Secret Six: The Spy Ring that Saved the American Revolution. It is not the book on which the show is based, but had a short line between this book and the basis for the show, with a lot of artistic license thrown in for cinematic reasons.
To the best of my ability, I will refrain from doing a comparison with the show, because the show and this book aren’t really related outside of the fact that they occupy the same realms. It would be like me trying to evaluate you based on a run-in with one of your cousins, and that wouldn’t be fair to anybody.
Without further ado, the book:
… or four and a half hours of my life I won’t get back.
The impetus for watching this film was actually inspired by St. Patrick’s Day. There’s a scene during the Battle of Fredericksburg where the Irish Brigade of fame, led by Gen. Thomas Meagher, attacks Marye’s Heights and meet the 24th Georgia Volunteer Infantry, or Georgia’s Irish Brigade. In the film, the Georgians are shocked and appalled both that their fellow Irishmen are fighting for the Union and that they are actively shooting their fellow Irishmen. When the Federals retreat, the Georgians send up a cry to honor their dead and retreating brethren. What a way to celebrate a day most everyone else takes as an excuse to drink excessively. The Irish love their misery, I guess, and my father, being 3rd generation Irish, made sure us kids knew the ways of his people.
Southern Irish: Fighting against a tyrannical government, which only makes sense from the States Rights Cause perspective. Because the British had been ruling Ireland for centuries, was extremely discriminatory against them, and had just allowed millions to die during the Great Famine, a tragedy which the Crown could have prevented.
Northern Irish: fighting against slavery and for a unified state, as generally the Irish were the lowest of the second-class citizenry in the UK, hardly better off than slaves. Also for the Union, and very American, ideals that what status you’re born at doesn’t mean you’ll die there, that you can bootstrap yourself up the societal chain.
I’m one of those people who can’t just cherrypick a clip of a film. I have to watch the whole thing. And I did. I did not actively take notes, so what follows will be general impressions of this rewatch. Also, please note that I saw the movie when it came out in 2003, and this might be the first time I’ve seen it since. On principle, I generally don’t watch it. (The soundtrack, on the other hand, is amazing.)
And so without further ado, Gods and Generals:
One recurring theme of this blog and/or my interests is the looted art of World War 2. I’ve read books and watched movies and even trained my internet history to find me articles related to this subject. (I say that I trained my internet, which is a lot less creepy than saying the internet is stalking me.)
Thus, one day I was at the public library (tbh that’s how many of my life’s adventures begin) and I found this book on a Dutch art forger who swindled the Nazis and made a fortune. The book is called The Forger’s Spell: A True Story of Vermeer, Nazis, and the Greatest Art Hoax of the Twentieth Century (2009). Even better, the book predated The Monuments Men book (2013), thereby also predating the movie, which meant it existed before the Nazi Art Thing was a thing.
At this point, it was many moons and a few short posts ago that I saw Ric Burns’ new film on The Pilgrims, which was part of the Smithsonian’s History Film Forum. Write-up here. (If you haven’t seen The Pilgrims yet, go do it.) The summary of the film is that the founding of Plimoth Colony has but the most passing of relationships with the popular perceptions we celebrate every Thanksgiving holiday.
Shortly after that I was at the library when the colorful cover of Mayflower caught my eye. I saw the author was one Nathaniel Philbrick, who most recently is known for having written the book on which the recent Chris Hemsworth movie, In the Heart of the Sea, is based. I have neither seen the film nor read the book, but I had heard the book was positively reviewed by people who matter. That was enough for me, so Mayflower came home with me.
I saw Warhorse in theaters a number of years ago with a friend. I can’t remember what exactly drew us to the film because I only had a vague notion of the plot and had no idea who the actors were. It was probably because it was a World War I film, and reasons like “It’s a movie” is usually enough to make me do a lot of things.
Walking out of the theater, I remember having enjoyed it greatly, although left with some questions about the underlying plot-that is, how factual is it. Because the movie is about a horse, which one should be able to infer from the title. And yet somehow Steven Spielberg managed to make a successfully realistic war movie with a horse as the main character. Better yet, there weren’t any gimmicks or schmaltzy bits like subtitles when the horses were clearly talking to each other. They were characters without being grossly anthropomorphized. My friend’s grandfather, who watched it with us, said it was one of the more realistic World War I movies out there, and I’ll have to take his word for it.
(My knowledge of war movies is fairly sparse, and my knowledge of the events they portray is even sparser. They say this movie has some of the most realistic depictions of trench warfare.)
Joey, freaked out, running through German trenches in panic.
The book. And the socks from my previous post.
I think it was a friend/coworker in college who recommended that I read this book because he knew my degree was in America history. When I finally did read it several years later, I saw why he thought I would like it.
On Saturday evening, my brain hit a wall with homework. I was sick and tired of staring at a screen and doing homework so … I located The Monuments Men movie online and watched it. By staring at a screen. C’est la vie.
As previously stated, this movie was based off of the book The Monuments Men: Allied Heroes, Nazi Thieves and the Greatest Treasure Hunt in History which was written by Robert Edsel back in 2010. I highly recommend the book for a number of reasons. For one, Edsel is not a scholar so his writing has much more of a narrative flow than most history books. There are even scenes in the book that so moved him or amused him that he recreated dialogue between the various characters to better set the scene. In his first foray into this fascinating topic, Rescuing Da Vinci: Hitler and the Nazis Stole Europe’s Great Art – America and Her Allies Recovered It (whew! what a mouthful!), Edsel successfully framed the entirety of World War II as Hitler’s desire to acquire all the arts, and the Monuments Men book expands on that, with more words and less pictures.